Monday 1 August 2016

Antonia Weir - my time in Blind Summit's workshop

Arts student, Antonia Weir, joined us for a week's work experience as part of our Talent Development programme. She talks about sculpting her first ever puppet head (Samuel Beckett no less) and the importance of Blind Summit's research and development process...



Arriving on Grenville Road, somewhere between Finsbury Park and Archway, I was feeling a little lost. That is, until I looked up to see a window piled high with small yellow hands and the face of a gnarled puppet dangling from the ceiling. This introduction set the tone for an inspiring week of research and development at Blind Summit HQ.

Their workshop is a hub of creation. Puppet bodies and heads lie on the tables in a state of half completion until they are picked up and brought to life by Mark and Fiona, looking to find the right character and voice. They'll then pick up the sanding paper and start adjusting all over again.

From my position at the workshop table - initially making Samuel Beckett out of Styrofoam - I watched as characters and stories were sculpted from the puppets. I already knew that the process of devising could not afford to be lazy and Blind Summit confirmed this. Mark and Fiona interrogated the importance of the relationship between puppet and puppeteer and I was struck by the complexity of their devising process: not only does a puppeteer and maker have to concoct a story and character, they also have to find the puppet's job and answer the question, 'what can this puppet do that a human can't?'.

It was wonderful to be a part of this exploration and begin to discover the potential of puppetry and look at how it fits into such a competitive industry. At Blind Summit it is immediately clear that puppetry is a field that is always developing through innovation and research. The workshop is an incredibly exciting place to be and a busy week!

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